JoJonium/Special Interviews

In each Kanzenban (volume) of JoJonium, there is a section in the back of the book containing an interview with Hirohiko Araki discussing the character featured on the cover. These interviews act as small biographies outlining the creation process of said character and Araki's thoughts at the time.

The pages also include a picture of the character, their profile, and a one question Q&A regarding the character design choices of the cover illustrations.

Volume 1 (Jonathan Joestar)
"The title of the series is JoJo's Bizarre Adventure, but first and foremost, I actually wanted to draw Dio. Good and evil, white and black—Jonathan and Dio function as symbols and are foils of one another. The series had the potential to go on, so in my mind, I wanted to create a "first Joestar" that could function as a symbol of purity and dignity rather than a unique, fresh character—that's why it was hard to come up with him.

There are limitations on how I could write the character because he was a "symbol of justice," so he may be a little on the boring side. I solidified his character as I went. Jonathan is passive, reacting to Dio's various attacks, and this leads to him discovering his way of life. Perhaps this is linked to me as an author, growing along with my character as I drew him. Just as Jonathan was unsure as to how to live his life, I was unsure where to take the character. Maybe I grew as an author a little with Jonathan as he trudged on through his hardships.

In Part 1, during the seven years after Danny's death, Jonathan gets very muscular. This change was made with the upcoming battle between him and Dio in mind. I thought his physique needed to be able to withstand the constant onslaught from this point on. In addition, when this part was originally being serialized, it was the era of "muscles" on the silver screen—guys like Schwarzenegger and Stallone. Schwarzenegger, for example, could never be stopped by an amount of gunfire right? I wanted Jonathan to have a similar look to him—a look of unstoppableness. Weekly Shonen Jump also has a history and tradition of main characters evolving and growing.

I also wanted Jonathan to exude an aura of strength like in Karate Baka Ichidai after doing martial arts training alone in the mountains. As a child, I loved karate manga—you would see all kinds of supernatural strength, like punching electrical poles and having the birds on the wires drop down or someone trying to stab another person with a knife, only to have the knife bend. In actuality, martial arts does have a certain mystique to it, such as strengthening punches with breathing techniques. I wanted to include supernatural things like that in JoJo, and I believe that the Hamon is inspired by my love of karate manga."

- Hirohiko Araki

Volume 2 (William Anthonio Zeppeli)
"Mr. Zeppeli was named after the rock band "Led Zeppelin." They are top-tier musicians to me, so I felt I had to reference their name with this character, albeit it's really a shame I used it so early--kind of like playing the Joker right at the beginning of a card game. Therefore, I had to resolve myself to that when I debuted Mr. Zeppeli. It's also important how the name sounds; there are a lot of "J" names in the series like JoJo, Jonthan and Joestar that are similar, so I wanted to balance out the names with a "Z" like Zeppeli. I made sure to do the same thing with Speedwagon.

Mr. Zeppeli teaches the Hamon to Jonathan and leads him on his quest to destroy the stone mask. I like teachers who are silly and make you wonder whether or not they're missing a screw up there. Like in Jackie Chan movies, the master's always a drunkard--so how can he be so strong? Same thing in The Karate Kid. Their outside appearance may be a little off, but it's what's underneath that is deserving of respect. These characters have charm because of the gap between their exterior and interior, and because you can't judge them by their covers. Mr. Zeppeli may look weak at first glance, but he's actually strong, even though I dressed him like a magician and gave him the mustache of a snake oil salesman. His mustache was actually inspired by those worn by the painter Salvador Dali and Osomatsu-kun's Iyami.

However, the mustache requires a lot of courage to pull off in a shonen magazine. Mainly because it makes the character look older and untrustworthy, no matter the type of mustache. As for Mr. Zeppeli—while he serves as JoJo's master, it's not like he's an old man far older than JoJo. He's also the lead supporting character. I might have turned readers off with him, so it took courage. He's a type of character that I haven't really used in any of my other work, but one that I wanted to use for the reasons I mentioned above. Thinking about it now, it may have been a "gamble" or "adventure" on my part. Back then I probably figured, "Eh, it's JoJo, it'll work out." It is a Bizarre Adventure, after all.

Lastly, to my credit, JoJo's Bizarre Adventure came out BEFORE the Japanese TV drama series Bizarre Stories in This World. Let's get this straight."

- Hirohiko Araki

Volume 3 (Dio Brando)
"I mentioned this back when I was talking about Jonathan, but Dio was actually the one I wanted to draw most for Part 1. How far can a man's ambition drive him when he takes it to the ultimate extreme? That's what I wanted to depict. I wanted his name to sound cool when paired with JoJo's, so I ended up going with Dio, which means "god" in Italian. I always hear theories about how I got his name from the Dio Scooter, but that's not true! I'll just put that out there, along with the Kimyou na Bouken thing from last volume.

In regards to how he contrasts with Jonathan, I wanted to tackle how you represent the ultimate villain as depicted against a symbol of justice. How exactly would he fall into that role of "villain"? People always love to compare who's stronger or who's cooler. You've got Godzilla versus Mechagodzilla, Schwarzenegger vs. Stallone... I wanted there to be that sort of contrast or struggle between Dio and Jonathan.

Additionally, FBI psychological profiling was a hot topic around the time that I wrote this. Why do serial killers do what they do, scientifically speaking? I was inspired by that when I was working on Dio. Guys like that are true scumbags, rotten to the core. Yet, I've always sort of thought that they're actually incredibly strong for being table to commit such crimes. Why do they go so far? Do they do it just to see if they can? The "control" aspect of it interests me as well. There was a famous case in America where a man trapped several women in a room and brought them out, one at a time, into another room to kill them. All of these women were waiting, together, for their turn to get killed. I can't imagine what their mental state was like at that point... Thinking rationally, you wonder why they wouldn't try to make a break of it, or why they wouldn't try to band together and overpower the killer? There has to be some way to resist. However, if you look into the process by which people control others, you start to see what's effective. There are many ways, including instilling fear, but I always found the act of controlling others strangely fascinating.

That's why Dio wasn't simply a strong villain, but a character that controls others and had admirers that served him. As an antagonist, it makes it suspenseful for the reader, as they wonder how he can be beaten. During serialization, I actually hadn't prepared a weakness for Dio. It's the best kind of suspense when you are on edge. How will they overcome him if Hamon doesn't work? The stronger the enemy, the better. It was hard coming up with a way for him to be defeated, though."

- Hirohiko Araki